Skip to main content

Full text of "American Cinematographer 1930-03"

See other formats


March I930 

29 CenCs a Copy 


■,4 Publication/^ Professionals Amateurs 


A FEW MORE OF OUR CURRENT 
PHOTOGRAPHIC SUCCESSES 



ESTABLISHED 1802 


NATURALLY! 


Cameramen 

Benson Murder Case"—Paramount Archie Stout 

Only The Brave"—Paramount Harry Fishbeck 

Their Own Desire"—M. G. M. Wm. Daniels 

A Lady To Love"—M. G. M. Merritt Gerstad 

Beau Bandit"—R. K. O. Jack MacKenzie 

Framed"—R. K. O- Leo Tover 

The Case of Sergeant Grischa"—R. K. O. Roy Hunt 

Puttin’On The Ritz"—United Artists Ray June 

Last Dance"—Audible Pictures M. A. Andersen 

The Grand Parade"—Pathe _David Abel 

Her Private Affair"—Pathe Norbert Brodin 

Larry Darmour Comedies"—R. K. O. James Brown 

Christy Comedies"—Paramount Gus Peterson 

Educational Comedies"—Educational Dwight Warren and Wm. Hyers 
Mack Sennett Comedies"—Educational John Boyle and Ernest Crockett 


“THE ( STOP TRADE MARK HAS NEVER 
BEEN PLACED ON AN INFERIOR PRODUCT” 


Smith & Aller, Inc. 

Pacific Coast Distributors 

6656 Santa Monica Blvd. Hollywood 5147 

for 

DuPont Pathe Film Mfg. Corp. 

35 West 45th St., New York City 














Every thrilling curve of her body is alive 
with life . . . light fills her eyes, dances on 
her lips—good photography plus National 
Photographic Carbons! These carbons give 
the cameraman a chance to reach behind 
his shoulders and pat himself on the back. 
National White Flame Photographic Car¬ 
bons (hard-arc) are actinically identical 

moon effects that set audiences’ hearts to 


fingers of light! And the soft orange light 
struck from National Panchromatic Car¬ 
bons (soft-arc) makes dark eyes more 
bewitching . . . allows the baby star to be 
photographed in all her peaches and cream 
bloom of youth—and what’s more —puts 
it across in the film! 

NATIONAL CARBON COMPANY, Inc. 

Carbon Sales Division, Cleveland, Ohio 
Branch Sales Offices: New York, N. Y. Pittsburgh, Pa. 


National Photographic Carbons 

White Flame anti 1‘anehromatie 







































The above group is 


but a partial list of the NOTED AUTHORITIES whose 
contributions will be found in the 

CINEMATOGRAPHIC 

ANNUAL 

The American Society of Cinematographers 







































The Falue of "Photographic Training 
To a Motion Picture 'Director 

Does Experience Behind the Camera Give a Quality That Makes a 
Man Better Fitted to Direct Pictures? 

By Hal Hall 





H 1 iLJ, V . " . : ■ ■. b ; : ■ ; : ; ■: ' T; T . . - : 


"Progress and Lighting Equipment 

A Practical Cameraman Speaks His Mind About Lighting Equipment 
By Victor Milner, A. S. C. 



i?jr|y 



























Should Sound 'Se “£asy To Listen To’ 


















Talkies for 'Business and Industry 












“£olorama” Righting Innovation 





(Editor Sees It 































In Fine Wood 

—It’s Grain 


In Eastman Panchromatic 
Type Two Negative 

—It Isn’t 


Reach For Eastman 

—It’s Lucky 


J. E. BRULATOUR, Inc. 


HOLLYWOOD 


















Accuracy Begins in the 

npHE rigid specifications guiding every operation in T p P j- T I I h ^ 

-L die manufacture of Bell & Howell Cinemachin- I w O I ■ w k-/ w 

various kinds of metals used, specifications as to hard- lh at its Standard Cameras, Perforators, Printers and 
ness, ten are, and reaction to temperature are inviol- Splicers be made in such a way as to render the full 
able, and can be achieved only by exacting restrictions measure of dependable service the world has learned 
in their manufacture. to ex p ec t of them. 

Scores of rninute inspections follow every manufac- This accuracy and dependability is a part of the 


BELL & HOWELL CO. 


j:§l|| 














COLOR 


Recognized throughout the motion picture industry as the 
outstanding development in the field of colored cine¬ 
matography. Now available for studio and 
commercial uie. <■ Color and sound-on-films 
in one process. * The only succetsful 
color process using standard 
cameras and normal lighting. 



MULTICOLOR FILMS, INCORPORATED 

201 N. Occidental Blvd. Los Angeles, Calif. 


Telephone DUnhirk . 



















Mr. Manufacturer: 

Do you select your advertising 
mediums on the basis of 
LARGE circulation . . . 
or . . . CLASS 
circulation? 

The 

American Cinematographer 

does not data a million readers ... but.. . this magazine reaches the 
men who have the AUTHORITY to BUY ... no waste circulation . . . 

Manufacturers of Sound Equipment 

will find this magazine one of the best advertising mediums obtainable. 
If you have a good product you can sell it through the pages of this 
publication. Our readers are found in 36 foreign countries as well as the 
United States. 

The American Cinematographer GetS Results! 


Read the OPPOSITE PAGE and see the PROOF > 


For advertising rates and schedules, address: 

THE AMERICAN CINEMATOGRAPHER 

1222 Guaranty Building Hollywood, California 

































I! [if! 

































cAmateur 

jyfovieAIqking 













































The FUNDAMENTALS of SOUND 
REC ORDING and REPRODUCTION 
FOR MOTION PICTURES 




























What 'Do You 'Photograph 

Are You a “Snapshooter" or Do You Make Pictures? 


By Hal Hall 




'Pro¬ 

fessional 

o^MATEURS 













Igllfl 


































AMATEURS . . . 



The 

CINEMATOGRAPHIC 

ANNUAL 


A book prepared and published by the 
American Society of Cinematographers, 
the master cameramen of the world. 





















| Let’s 

Mcameras!; 
IT —Bass 

Mo!L f °fcr M S, V mI Sl d w f f°or n „ e id 

pJSs-e 

BASS ^ 


You Can “Double In” 

Outdoor Shots on 
Indoor Sound Stages 

DUNNING PK?i 

Dunning Process Company 










































^ *Z,eiss Tess&rjj 


No camera can be better than its lens. All 
CarlZebsTessars ensureperfect definition 


and results ^ll not be impaired b/ 


wby Carl Zeiss Tessar Lenses 
bave universal endorsement 




CARL ZEISS, INCORPORATED 
























cfflfll 




A ■■ 

HiH 3 K?£=, 4 rc; 

■■-‘satS’E ,i!.»r, ssssr;?is r;r 

ErrH-S i: "i=£iSfiS 

asss=4?rja!3flfSi'S 

SiSS £££•- g 

wrnmmsm 

s=“lgsg i 



t event, owing to unsatisfactory legal arrangements 


tory Theatre is not a commercial project. It is not opet 
make money. All i, seeks to take in is enough to co 

*hseee:zz.z:. 

-■lifis 

,.... mmmmm 

m ess S-/S= 

aliSS^iiS^S 

r”- b ”"S 












:i Siiiiiia 







































ELMER G. DYER 

Aerial Photography Since 1918 

CLASSIFIED ADVERTISING 

WANTED—MOTION P.CTURE CAMERAS 


WALTER J. VAN ROSSEM 

s 

tttsLTJTS- AS 

.... — SSffiSfooa. CAmOMOA —— 


Dr. G. Floyd Jackman 

Hollyw^dBlvd. at Highland Ave. * 


*«• 

ra ' ^s-’ffajxsTie- «•**«• 

F0 “a£‘xs SS “ —■ te 




HARRY PERRY, A.S.C. 

SOUND-CINEMATOGRAPHY 


“ I'gjS-s 


”* i» °ufJ.T^-e.’sr.'.o'j-rbJTor 1 '""' ■* 


HARVEY Wm. PRIESTER 

— .. 1 -; , o 7^'“ t " - 



1 °* &«&!** 'SSE? JKs&S 

MITCHELL CAMERA 



,OR ™ 

Glenn R. Kershner 

~ SHHSHnSSsi 

F °“ 

,k 






















































RECOGNIZED as the Industry’s 
REFERENCE BOOK 




































Here is Real 

DUPLICATING 

EFFICIENCY 

Widespread use has proved 

that Eastman Duplicating Films 
(Negative and Positive), while 
they actually cost less than any 
other similar combination, give 
definitely better results in master 
positives and duplicate negatives. 

EASTMAN KODAK COMPANY 

ROCHESTER, NEW YORK 

J. E. Brulatour, Inc., Distributors 

New York Chicago Hollywood 















Wide Film Flow a Ideality 


ALTHOUGH v 


has been enthusiastically received. GRAN¬ 
DEUR 70 MM. pictures now being exhibited 
were taken by MITCHELL-GRANDEUR 
CAMERAS. These cameras are MITCHELL 

precision that has made MITCHELL CAM¬ 
ERAS the leader. 


^ Mitchell Camera Corporation 


r “ MITCAMCO ” Phone OXford 1051